TEATRU TAL-OPRA AURORA,
VICTORIA, GOZO, MALTA
Gloria all'Egitto they say! Aida's triumph scene can be seen as one of the most successful and celebrated culture-branding exercises ever, making Egyptology even more fashionable, palatable and relatable in popular culture. Here's how Franco Zeffirelli reimagined it in his 2001 Busseto version, retaken at the Teatru tal-Opra Aurora in Gozo, on Saturday 15th October. Moveo Dance company earned their merited applauses. Raul Ivaldi brought the artists in the role with make-up, hair and wigs. Debbie Portelli and Sarah Camilleri saw to the throngs of chorus members and auxiliaries. Additional costumes designed by Vivien Hewitt, produced by the Teatru tal-Opra Aurora Wardrobe, under the direction of Celine Debrincat (wardrobe mistress), Marlene Portelli (premiere seamstress), Sunta Azzopardi, Lora Galea and the rest of the sartorial team.

Gloria all’Egitto they say! Aida’s triumph scene can be seen as one of the most successful and celebrated culture-branding exercises ever, making Egyptology even more fashionable, palatable and relatable in popular culture.

Here’s how Franco Zeffirelli reimagined it in his 2001 Busseto version, retaken at the Teatru tal-Opra Aurora in Gozo, on Saturday 15th October.

Moveo Dance company earned their merited applauses.
Raul Ivaldi brought the artists in the role with make-up, hair and wigs.
Debbie Portelli and Sarah Camilleri saw to the throngs of chorus members and auxiliaries.

Additional costumes designed by Vivien Hewitt, produced by the Teatru tal-Opra Aurora Wardrobe, under the direction of Celine Debrincat (wardrobe mistress), Marlene Portelli (premiere seamstress), Sunta Azzopardi, Lora Galea and the rest of the sartorial team.

Photos by David Agius, Hush Studios

Aida, Act 2 Scene 2: The Triumph Scene
The opening procession

The ceremonial dance

“A te sian tratti i prigionier”
Enter the Ethiopian prisoners

The final chorus!