Gloria all'Egitto they say! Aida's triumph scene can be seen as one of the most successful and celebrated culture-branding exercises ever, making Egyptology even more fashionable, palatable and relatable in popular culture. Here's how Franco Zeffirelli reimagined it in his 2001 Busseto version, retaken at the Teatru tal-Opra Aurora in Gozo, on Saturday 15th October. Moveo Dance company earned their
Gloria all'Egitto they say! Aida's triumph scene can be seen as one of the most successful and celebrated culture-branding exercises ever, making Egyptology even more fashionable, palatable and relatable in popular culture. Here's how Franco Zeffirelli reimagined it in his 2001 Busseto version, retaken at the Teatru tal-Opra Aurora in Gozo, on Saturday 15th October. Moveo Dance company earned their
Gloria all'Egitto they say! Aida's triumph scene can be seen as one of the most successful and celebrated culture-branding exercises ever, making Egyptology even more fashionable, palatable and relatable in popular culture. Here's how Franco Zeffirelli reimagined it in his 2001 Busseto version, retaken at the Teatru tal-Opra Aurora in Gozo, on Saturday 15th October. Moveo Dance company earned their
Gloria all'Egitto they say! Aida's triumph scene can be seen as one of the most successful and celebrated culture-branding exercises ever, making Egyptology even more fashionable, palatable and relatable in popular culture. Here's how Franco Zeffirelli reimagined it in his 2001 Busseto version, retaken at the Teatru tal-Opra Aurora in Gozo, on Saturday 15th October. Moveo Dance company earned their
"Chi mai fra gl'inni e i plausi, erge alla gloria il vol" Aida's Act 2 opens with the first scene set in the gynaeceum, Amneris' apartments Set by Franco Zeffirelli, dressed by Anna Anni Lit by Gianni Paolo Mirenda and Donald Camilleri Mounted by Teddy Mizzi Brought to life by Vivien Hewitt (Stage Director) and Colin Attard (Musical Director)
